Above all, however, this film owes its longevity and singularity to members of the self-organised activist networks of French-speaking Switzerland, who have claimed it as their own since its release and continue to do so today. Various groups in struggle have spontaneously organised screenings in precarious spaces, squats, artist-run spaces, concert venues, bars, union meetings, demonstrations, libraries and associative cinemas. These events, almost always followed by discussion and debate, provide an opportunity to exchange ideas around one of the rare cultural objects addressing the history of Swiss workers’ struggles, one that, despite the limitations inherent in such an undertaking, was conceived as a tool in the service of contemporary left politics. The voices of these courageous activists, now all deceased, remind us, should we need reminding, of how much direct action and the struggles against employers, the bourgeoisie and the fascists made possible, winning significant victories and hard-fought social gains.